Notre site web sera en maintenance ce mardi 3 février après-midi. Les commandes enregistrées ne subirons pas de retard de traitement.
Emma (VO)
Austen Jane
GARDNERS
5,00 €
En stock
EAN :9781853260285
Chapter OneEMMA WOODHOUSE, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection.Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own.The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself: these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.Sorrow came-a gentle sorrow-but not at all in the shape of any disagreeable consciousness. Miss Taylor married. It was Miss Taylor's loss which first brought grief. It was on the wedding day of this beloved friend that Emma first sat in mournful thought of any continuance. The wedding over, and the bride people gone, her father and herself were left to dine together, with no prospect of a third to cheer a long evening. Her father composed himself to sleep after dinner, as usual, and she had then only to sit and think of what she had lost.The event had every promise of happiness for her friend. Mr. Weston was a man of unexceptionable character, easy fortune, suitable age, and pleasant manners; and there was some satisfaction in considering with what self-denying, generous friendship she had always wished and promoted the match; but it was a black morning's work for her. The want of Miss Taylor would be felt every hour of every day. She recalled her past kindness-the kindness, the affection of sixteen years-how she had taught and how she had played with her from five years old-how she had devoted all her powers to attach and amuse her in health-and how nursed her through the various illnesses of childhood. A large debt of gratitude was owing here; but the intercourse of the last seven years, the equal footing and perfect unreserve which had soon followed Isabella's marriage, on their being left to each other, was yet a dearer, tenderer recollection. She had been a friend and companion such as few possessed; intelligent, well-informed, useful, gentle, knowing all the ways of the family, interested in all its concerns, and peculiarly interested in herself, in every pleasure, every scheme of hers; one to whom she could speak every thought as it arose, and who had such an affection for her as could never find fault.How was she to bear the change? It was true that her friend was going only half a mile from them; but Emma was aware that great must be the difference between a Mrs. Weston, only half a mile from them, and a Miss Taylor in the house; and with all her advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all his life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.Her sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.Highbury, the large and populous village almost amounting to a town, to which Hartfield, in spite of its separate lawn, and shrubberies, and name, did really belong, afforded her no equals. The Woodhouses were first in consequence there. All looked up to them. She had many acquaintances in the place, for her father was universally civil, but not one among them who could be accepted in lieu of Miss Taylor for even half a day. It was a melancholy change; and Emma could not but sigh over it, and wish for impossible things, till her father awoke, and made it necessary to be cheerful. His spirits required support. He was a nervous man, easily depressed; fond of everybody that he was used to, and hating to part with them; hating change of every kind. Matrimony, as the origin of change, was always disagreeable; and he was by no means yet reconciled to his own daughter's marrying, nor could ever speak of her but with compassion, though it had been entirely a match of affection, when he was now obliged to part with Miss Taylor too; and from his habits of gentle selfishness, and of being never able to suppose that other people could feel differently from himself, he was very much disposed to think Miss Taylor had done as sad a thing for herself as for them, and would have been a great deal happier if she had spent all the rest of her life at Hartfield. Emma smiled and chatted as cheerfully as she could, to keep him from such thoughts; but when tea came, it was impossible for him not to say exactly as he had said at dinner:"Poor Miss Taylor! I wish she were here again. What a pity it is that Mr. Weston ever thought of her!""I cannot agree with you, papa; you know I cannot. Mr. Weston is such a good-humoured, pleasant, excellent man, that he thoroughly deserves a good wife; and you would not have had Miss Taylor live with us for ever, and bear all my odd humours,1 when she might have a house of her own?""A house of her own! but where is the advantage of a house of her own? This is three times as large; and you have never any odd humours, my dear.""How often we shall be going to see them, and they coming to see us! We shall be always meeting! We must begin; we must go and pay our wedding-visit very soon.""My dear, how am I to get so far? Randalls is such a distance. I could not walk half so far.""No, papa; nobody thought of your walking. We must go in the carriage, to be sure.""The carriage! But James will not like to put the horses to for such a little way; and where are the poor horses to be while we are paying our visit?""They are to be put into Mr. Weston's stable, papa. You know we have settled all that already. We talked it all over with Mr. Weston last night. And as for James, you may be very sure he will always like going to Randalls, because of his daughter's being housemaid there. I only doubt whether he will ever take us anywhere else. That was your doing, papa. You got Hannah that good place. Nobody thought of Hannah till you mentioned her-James is so obliged to you!""I am very glad I did think of her. It was very lucky, for I would not have had poor James think himself slighted upon any account; and I am sure she will make a very good servant; she is a civil, pretty-spoken girl; I have a great opinion of her. Whenever I see her, she always curtseys and asks me how I do, in a very pretty manner; and when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it. I am sure she will be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to his daughter, you know, she will be hearing of us. He will be able to tell her how we all are."Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary.Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connections in London. He had returned to a late dinner after some days"absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed:"It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk.""Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire.""But you must have found it very damp and dirty. I wish you may not catch cold."&quo..."
Sous le vernis d'un genre, chacune des phrases de Jane Austen attaque les conventions, traque les ridicules, et finit avec une grâce exquise par pulvériser la morale bourgeoise, sans avoir l'air d'y toucher. Les héroïnes de Jane Austen lui ressemblent, elles aiment les potins mais détestent bavardages, grossièreté et vulgarité. La pudeur, le tact, la discrétion, l'humour sont les seules convenances qu'elles reconnaissent... Et si Jane Austen mène les jeunes filles au mariage, c'est fortes d'une telle indépendance qu'il faut souhaiter au mari d'être à la hauteur ! A lire yeux baissés et genoux serrés pour goûter en secret le délicieux plaisir de la transgression des interdits.
Résumé : De Jane Austen on sait peu de choses, les sources de renseignements étant rares. Les lettres qu'elle écrivit à ses trois nièces préférées dressent un portrait émouvant de l'auteur d'Orgueil et préjugés et témoignent de son caractère vif et généreux. Restée célibataire et sans enfants, c'est avec l'affection d'une grande soeur attentionnée qu'elle guide et conseille ses jeunes nièces. Elle leur parle d'écriture, de stratégie amoureuse, de sa vie à la campagne, avec l'humour et l'élégance qui font le sel de ses romans. Ces échanges révèlent une touchante intimité, et l'on acquiert bien vite la conviction que Jane Austen n'avait rien à envier à ses attachantes héroïnes. Austen se montre tendre et enjouée. Ses lettres poursuivent l'exploration de la tension inépuisable entre " raison " et " sentiment ", passion et conventions sociales. Un prolongement attachant de son univers romanesque.
Pour les Anglaises du XIXe siècle, hors du mariage, point de salut! Romanesques en diable, les démêlés de la caustique Elizabeth Bennett et du vaniteux Mr Darcy n'ont pas pris une ride! Mais il faut parfois savoir renoncer à son orgueil. Et accepter la tombée des masques pour voir clair dans la nuit. Un classique universel, drôle et émouvant.
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.Copyright 1996 Reed Business Information, Inc.
Résumé : Cast out from her West Cork village, sixteen years old and pregnant, Catherine Goggin makes her way to Dublin to start afresh. She has no choice but to believe that the nun to whom she entrusts her child will find him a better life.The baby is named Cyril by his adoptive parents, Charles and Maude Avery, a well-to-do but deeply eccentric couple who treat him more like a curiosity than a son. You're not a real Avery, they tell him. And perhaps he isn't. But through them he meets Julian Woodbead who, even from childhood, seems destined for an infinitely more glamorous and dangerous life. And so begins one man's funny and moving search to find his place in a world that seems to delight in gently tormenting him at every turn. Buffeted by circumstance and, at times, the consequences of his own questionable judgement, Cyril must navigate his emotions and desires in a search for that most elemental human need, happiness.
Extrait Chapter OneChildhood memories fit their own intricate pattern. They cannot be made to conform to the version of our past we try to impose upon them. Thus I could say that Lord and Lady Powerstock and the home they gave me at Meongate more than compensated for being an orphan, that a silver spoon easily took the place of my mother's smile. I could say it--but every recollection of my early years would deny it.Meongate must once have been the crowded, bustling house of a cheerful family, as the Hallowses must once have been that family. Every favour of nature in its setting where the Hampshire downs met the pastures of the Meon valley, every effort of man in its spacious rooms and landscaped park, had been bestowed on the home of one small child.Yet it was not enough. When I was growing up at Meongate in the early 1920s, most of its grandeur had long since departed. Many of the rooms were shut up and disused, much of the park turned over to farmland. And all the laughing, happy people I imagined filling its empty rooms and treading its neglected lawns had vanished into a past beyond my reach.I grew up with the knowledge that my parents were both dead, my father killed on the Somme, my mother carried off by pneumonia a few days after my birth. It was not kept from me. Indeed, I was constantly reminded of it, constantly confronted with the implication that I must in some way bear the blame for the shadow of grief, or of something worse, that hung over their memory. That shadow, cast by the unknown, lay at the heart of the cold, dark certainty that also grew within me: I was not wanted at Meongate, not welcomed there, not loved.It might have been different had my grandfather not been the grave, withdrawn, perpetually melancholic man that he was. I, who never knew him when he was young, cannot imagine him as anything other than the wheelchair-bound occupant of his ground-floor rooms, deprived by his own morbidity, as much as by the lingering effects of a stroke, of all warmth and fondness. When Nanny Hiles took me, as she regularly did, to kiss him goodnight, all I wanted to do was escape from the cold, fleeting touch of his flesh. When, playing on the lawn, I would look up and see him watching me from his window, all I wanted to do was run away from the mournful, questing sadness in his eyes. Later, I came to sense that he was waiting, waiting for me to be old enough to understand him, waiting in the hope that he would live to see that day.Lady Powerstock, twenty years his junior, was not my real grandmother. She was buried in the village churchyard, another ghost whom I did not know and who could do nothing to help me. I imagined her as everything her successor was not--kind, loving and generous--but it did me no good. Olivia, the woman I was required to address as Grandmama in her place, had once been beautiful and, at fifty, her looks were still with her, her figure still fine, her dress sense impeccable. That we were not related by blood explained, to my satisfaction, why she did not love me. What I could not explain was why she went so far as to hate me, but hate me she undoubtedly did. She did not trouble to disguise the fact. She let it hover, menacing and unspoken, at the edge of all our exchanges, let it grow as an awareness between us, a secret confirmation that she too was only waiting, waiting for death to remove her husband and with him any lingering restraint on her conduct towards me. There was an air of practised vice about her that was to draw men all her life, an air of voluptuous pleasure at her own depravity that made her hatred of me seem merely instinctive. Yet there was always more to it than that. She had drawn some venom from whatever part she had played in the past of that house and had reserved it for me.My only friend in those days, my only guide through Meongate's hidden perils, was Fergus, the taciturn and undemonstrative major-domo, "shifty" as Olivia described him and certainly not as deferential as he should have been, but none the less my sole confidant. Sally, the sullen maid, and humourless Nanny Hiles both went in awe of Olivia, but Fergus treated her with an assurance, bordering on disrespect, that made him my immediate ally. A cautious, solitary, pessimistic man who had expected little from life and consequently been spared many disappointments, perhaps he took pity on a lonely child whose plight he understood better than she did herself. He would take me on covert expeditions through the grounds, or down to the wooded reach of the Meon where he fished of a quiet afternoon, or into Droxford in the trap, when he would buy me a twist of sherbet and leave me sitting on the wall outside Wilsmer's saddlery whilst he went in to haggle over a new bridle for the pony. For such brief moments as those, kicking my heels on Mr. Wilsmer's wall and eating my sherbet in the sunshine, I was happy. But such moments did not last.It was Fergus who first showed me my father's name, recorded with the other war dead of the village, on a plaque at the church. Their Name Liveth for Evermore, the inscription said, and his name--Captain the Honourable John Hallows--is all that did live for me. I would stare at it for what seemed like hours trying to conjure up the real living and breathing father that he had never been to me, seeing only those stiff, expressionless, uniformed figures preserved by photographs in back copies of the Illustrated London News, glimpsing no part of his true self beyond the neatly carved letters of his name.As for my mother, of her there was no record at all, no grave, no memorial of any kind. Fergus, when I questioned him, prevaricated. My mother's grave, if she had one, was far away--and he did not know where. There were, I was to understand, limits to what even he could tell me. Whether he suggested it or not I cannot remember, but, for some reason, I decided to ask Olivia. I cannot recall how old I was when it happened, but I had followed her into the library, where she often went to look at a painting that hung there."Where is my mother's grave?" I said bluntly, partly intending the question to be a challenge. All hatred is, in time, reciprocated and I had come to hate Olivia as much as she hated me; I did not then appreciate how dangerous an enemy she could be.She did not answer in words. She turned aside from that great, high, dark painting and hit me so hard across the face that I nearly fell over. I stood there, clutching the reddening bruise, too shocked by the pain of it to cry, and she stooped over me, her eyes blazing. "If you ever ask that question again," she said, "if you ever mention your mother again, I'll make you suffer."The mystery of my mother thenceforth became the grand and secret obsession of my childhood. My father's death, after all, had a comforting simplicity about it. Every November there was an Armistice Parade in the village to commemorate the sacrifice of Captain the Honourable John Hallows and the many others like him. Though not permitted to join the Brownie troop that took part in the parade, I was allowed to go and watch and could imagine myself marching with all the little girls who, like me, had lost their father. But, at the end of the parade, they went home to their mothers; I could not even remember mine.Sometimes, though, I thought I could remember her. It was impossible, of course, if what I had been told of her was true, but Olivia had succeeded in making me doubt everything I had not personally experienced, and there was one dim, early memory, seemingly at the very dawn of my recollection, to sustain what I so wanted to believe.I was standing on the platform at Droxford railway station. It was a hot summer's day: I could feel the heat of the gravel seeping up through my shoes. A train was standing at the platform, great billows of smoke rising as the engine gathered steam. The man standing beside me, who had been holding my hand, stooped and lifted me up, cradling me in his arms to watch the train pull out. He was stout and white-haired. I remember the rumble of his voice and the brim of his straw hat touching my head as he raised his free hand to wave. And I was waving too, at a woman aboard the train who had wound down the window and was leaning out, waving also and smiling and crying as she did so. She was dressed in blue and held a white handkerchief in her right hand. And the train carried her away. And then I cried too and the stout old man hugged me, the brass buttons on his coat cold against my face.I recounted the memory to Fergus one day, when we were returning from a mushrooming expedition. When I had finished, I asked him who he thought the old man was."Sounds like old Mr. Gladwin," he replied. "The first Lady Powerstock's father. He lived here . . . till she sent him away." By she Fergus always meant Olivia."Why did she do that?""She'd have had her reasons, I don't doubt.""When did he go?""The summer of 1920, when you were three. Back to Yorkshire, so they say. A proper caution, was Mr. Gladwin.""Who was the pretty lady, Fergus?""That I don't know.""Was she . . . my mother?"He pulled up and looked down at me with a frown. "That she was not," he said with deliberate slowness. "Your mother passed away a few days after she had you. You know that. No amount of wanting is going to make you remember her.""Then . . . who was the pretty lady?"His frown became less kindly. "I told you: I don't know. That Mr. Gladwin, he was a close one. Now, look to that napkin or you'll pitch your breakfast into the lane--and mine with it."If the pretty lady wasn't my mother, who was she? What was old Mr. Gladwin, my great-grandfather, to her? There were no answers within my reach, just the secret hope I went on harbouring that maybe my mother wasn't really dead at all, just ....
One of the New Windmills series for schools, this is the story of Offred, one of the few women in the Republic of Gilead left with functioning ovaries, whose only function it is to breed. If she deviates, she will be hanged as a dissenter. But Offred is determined to find a way out.
It seemed to be an impossible task to outdo the former edition of "Dorian Gray" in the World's Classics series, but Bristow has achieved his goal. The quality of the explanatory notes is, simply, superb, and the introduction is succint but informative,
The World's Bestselling Mystery "Ten..."Ten strangers are lured to an isolated island mansion off the Devon coast by a mysterious "U.N. Owen.""Nine..."At dinner a recorded message accuses each of them in turn of having a guilty secret, and by the end of the night one of the guests is dead."Eight..."Stranded by a violent storm, and haunted by a nursery rhyme counting down one by one... one by one they begin to die."Seven..."Who among them is the killer and will any of them survive?
Résumé : Quand la notion d'état providence dérape, jusqu'où ira l'absurdité bureaucratique dans la recherche du bonheur pour tous ? Une série de tableaux pour des destins qui s'entrecroisent jusqu'à la terrible conclusion qui les rassemblera. Quand la société pousse à son paroxysme les idéaux d'égalité sociale, le résultat peut facilement tomber dans l'absurde. Par exemple, pour éviter les déficits chroniques de la sécurité sociale, quel meilleur moyen que d'interdire aux gens de prendre des risques avec leur santé ? Quitte à instaurer une police médicale et à mettre les contrevenants à l'amende... Trois histoires kafkaïennes à faire peur qui brossent un portrait terrifiant d'un monde trop règlementé.