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Tiepolo in Milan. The Lost Frescoes of Palazzo Archinto
Tomezzoli Andrea ; Ton Denis ; Salomon Xavier F. ;
HOLBERTON
50,00 €
Épuisé
EAN :9781911300526
Tiepolo in Milan : The Lost Frescoes of Palazzo Archinto brings together preparatory drawings and paintings, as well as documentary photographs, to commemorate an extraordinary fresco cycle by the Venetian painter Giambattista Tiepolo (1696-1770). Painted for Palazzo Archinto in Milan, the frescoes were destroyed in a bombing during World War II. The catalogue accompanies an exhibition at The Frick Collection. In 1730-31, Tiepolo undertook his first significant project outside the Veneto, frescoes for five ceilings in Palazzo Archinto in Milan. The paintings were commissioned by Count Carlo Archinto (1670-1732), likely in honor of the marriage of his son, Filippo, to Giulia Borromeo. Tiepolo's mythological and allegorical scenes-Triumph of Arts and Sciences ; Apollo and Phaëton ; Perseus and Andromeda ; Juno, Fortune, and Venus ; and Nobility-were painted in some of the largest rooms of the palazzo. Unfortunately, the palazzo was bombed during World War II and its interior completely destroyed. Only a series of black-and-white photographs, taken between 1897 and the late 1930s, preserves the frescoes' appearance, but a number of preparatory drawings and paintings provide precious information, including three painted sketches (Triumph of Arts and Sciences, the Museu Nacional de Arte Antiga, Lisbon ; Apollo and Phaëton, Los Angeles County Museum ; and Perseus and Andromeda, The Frick Collection). Three drawings from the British Museum in London, the Museo Civico in Trieste, and the Sinebrychoff Art Museum in Helsinki are the only related graphic works. These-along with other drawings and prints by Tiepolo and some books- have been reunited for the first time in order to bring to life these extraordinary works of art. On view at The Frick Collection from April 16 to July 14, 2019, the exhibition is curated by Xavier F. Salomon, Peter Jay Sharp Chief Curator at the Frick, with Andrea Tomezzoli, Professor at the University of Padua, and Denis Ton, Curator of the Musei Civici in Belluno. Included in the publication are essays on Tiepolo's work in Palazzo Archinto (Salomon), on the role of the frescoes in Tiepolo's career (Tomezzoli), on the intellectual world of the Archinto family (Ton), and on the architectural history of the palace (Kluzer).
Résumé : This catalogue accompanies an exhibition which presents artefacts from burial mounds of the Saka people of East Kazakhstan, who, over 2, 500 years ago, lived lives rich in complexity. The Saka people occupied a landscape of seemingly endless steppe to the west, bounded by mountains to the east and south. Known to be fierce warriors, they were also skilled craftspeople, producing intricate gold and other metalwork. Their artistic expression indicates a deep respect for the animals around them - both real and imagined. They dominated their landscapes with huge burial mounds of sophisticated construction, burying their horses with elite members of their society. Recent excavations and analyses, led by archaeologists from Kazakhstan, have demonstrated that by looking through a scientific and social lens at what the Saka left behind we can paint a picture of a complex society. We can start to understand how it affected the way people lived, how they travelled, the things they made and what they believed in. Including contributions from experts at Nazarbayev University, Al-Farabi Kazakh National University, and the University of Cambridge, this publication details the results of new archaeological research from East Kazakhstan. It is richly illustrated with photographs of intricate gold artefacts in the Saka-Scythian animal style, landscape and aerial photography of the burial mounds, and details of the excavations and analyses. Grounded in decades of careful study, papers by the two leading Kazakhstani archaeologists of the East Kazakhstan region, Professors Zainolla Samashev and Abdesh Toleubayev, demonstrate current archaeological thinking in Kazakhstan today. These papers are complemented by material from a team of international scholars, which contribute the results of new scientific analyses on the artefacts, and wider Eurasian perspectives on the Saka people and their practice of horse burial.