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GREEK ART
Spivey Nigel
PHAIDON PRESS
24,95 €
Épuisé
EAN :9780714833682
From the Parthenon in Athens to the theatre at Epidauros, from idealized sculptures of athletic youths to red-figure vases, ancient Greece produced some of the world's most familiar and enduring art and architecture. The rapid evolution of art that took place in Greece from the eighth to the second century BC established such an influential artistic culture that even today the history of Western art can be seen in terms of reworkings of and reactions to the achievements of Greek artists. In this original and stimulating account Nigel Spivey considers how Greek art was inextricably bound up with the political, religious, philosophical and social circumstances of the period, from the early influence of Minoan and Mycenaean art, through the effect of Athenian democracy to the consequences of the empire building of that most charismatic of Greek heroes, Alexander the Great. The author draws on his first-hand experience of Greek archaeological sites and covers the full range of Greek art - sculpture, pottery, architecture, metalwork, wall-paintings - to produce a book that is comprehensive, lively and thought provoking.
L'auteur situe la naissance du style classique dans son contexte historique. Il envisage ainsi le lien indissoluble existant entre l'Art grec et les évènements sociaux, religieux, philosophiques et politiques de l'époque.
Résumé : In little more than a decade, Jonas Wood has established himself as one of the most talented and original painters of his generation. Exploring a variety of subjects that include friends, family members, sport celebrities, landscapes, domestic interiors, plants, his own work as well as that of other artists, Wood has developed a representational style where overlapping textures and disorienting compressions of space contribute to create images that transmit a universal sense of familiarity, even when they are deeply private. Defined by an awareness of the predominant role of photography in contemporary culture, yet deeply indebted to the history of painting and the possibilities still therein, a meaningful engagement and exploration with the present emerges. Wood's work challenges the notion of visual authenticity through a process of combining elements from different sources to create an image that is uniquely his. His works constitute a reflection of our present time while paying tobute to the great artists that have influenced Wood's practice, from modern masters Henri Matisse and Pablo Picasso, to California cantor David Hockney, and the celebrated duo of ceramists Michael Frimkess and Magdalena Suarez Frimkess In the Interview Mark Grotjahn and the artist discuss their backgrounds and how they were able to turn their passion into a profession while getting acquainted with the dynamics of the art world Helen Molesworth's Survey is a profound and comprehensive analysis of the historical context in which Wood's practice developed, and how the various elements that compose the fabric of his life inform his paintings. Ian Alteveer focuses on Wood's proclivity for representing interiors and how these resonate with the rest of his work and history of art in general. The comprehensive and previously unpublished selection of images in Studio Visit offers a rare insight into the artist's working environment, his process and sources of inspiration. Finally, Artist's Writings include excerpts from conversations with Corrina Peipon, Katy Donoghue and Jeong Yun Hyeong.
Résumé : Explores the power of abandoned architecture, capturing the awe-inspiring drama of lost and forgotten, as well as reimagined and transformed structures across the globe. From Victorian gas holders, railway stations and factories, to World War Il flak towers and bunkers, from Gothic churches, as well as Modernist and Brutalist masterpieces, this book demonstrates that transforming our built heritage has the power to change lives, communities, neighbourhoods and cities the world over.