
TAR BABY
MORRISON TONI
RANDOM HOUSE UK
13,60 €
Épuisé
EAN :
9780099760214
| Date de parution | 01/04/2001 |
|---|---|
| Poids | 300g |
Distributor Debug Info
| SKU: | 9780099760214 |
| wmi_id_distributeur: | Not set |
| Is Salable (from plugin): | No (Out of Stock) |
| Is Salable (direct MSI check): | No (Out of Stock) |
| Distributor Name: | Par défaut |
| Availability Value: | 0 |
| Availability Label: | Epuisé |
| Match Result: | |
| Default Availability (Config): | 0 - Epuisé |
| Raw Config Mapping: |
Array
(
[_1772119784121_121] => Array
(
[id] => 12707000
[name] => 12707000
[availability] => 1
[activation_attribute] => 1
)
)
|
Plus d'informations
| EAN | 9780099760214 |
|---|---|
| Titre | TAR BABY |
| ISBN | 0099760215 |
| Auteur | MORRISON TONI |
| Editeur | RANDOM HOUSE UK |
| Largeur | 0 |
| Poids | 300 |
| Date de parution | 20010401 |
| Nombre de pages | 0,00 € |
Pourquoi choisir Molière ?
Efficacité et rapidité Commandé avant 16h livré demain
Économique et pratique Livraison à domicile dès 5,10 €
Facile et sans frais Retrait gratuit en magasin
Sécurité et tranquillité Paiement 100 % sécurisé
Disponibilité et écoute Contactez-nous sur WhatsApp
Du même auteur
-

SONG OF SOLOMON CHANSON DE SALOMON (LA)
MORRISON TONIChapter 1The North Carolina Mutual Life Insurance agent promised to fly from Mercy to the other side of Lake Superior at three o'clock. Two days before the event was to take place he tacked a note on the door of his little yellow house:At 3:00 p.m. on Wednesday the 18th of February, 1931, I will take off from Mercy and fly away on my own wings. Please forgive me. I loved you all.(signed) Robert Smith,Ins. agentMr. Smith didn't draw as big a crowd as Lindbergh had four years earlier--not more than forty or fifty people showed up--because it was already eleven o'clock in the morning, on the very Wednesday he had chosen for his flight, before anybody read the note. At that time of day, during the middle of the week, word-of-mouth news just lumbered along. Children were in school; men were at work; and most of the women were fastening their corsets and getting ready to go see what tails or entrails the butcher might be giving away. Only the unemployed, the self-employed, and the very young were available--deliberately available because they'd heard about it, or accidentally available because they happened to be walking at that exact moment in the shore end of Not Doctor Street, a name the post office did not recognize. Town maps registered the street as Mains Avenue, but the only colored doctor in the city had lived and died on that street, and when he moved there in 1896 his patients took to calling the street, which none of them lived in or near, Doctor Street. Later, when other Negroes moved there, and when the postal service became a popular means of transferring messages among them, envelopes from Louisiana, Virginia, Alabama, and Georgia began to arrive addressed to people at house numbers on Doctor Street. The post office workers returned these envelopes or passed them on to the Dead Letter Office. Then in 1918, when colored men were being drafted, a few gave their address at the recruitment office as Doctor Street. In that way, the name acquired a quasi-official status. But not for long. Some of the city legislators, whose concern for appropriate names and the maintenance of the city's landmarks was the principal part of their political life, saw to it that "Doctor Street" was never used in any official capacity. And since they knew that only Southside residents kept it up, they had notices posted in the stores, barbershops, and restaurants in that part of the city saying that the avenue running northerly and southerly from Shore Road fronting the lake to the junction of routes 6 and 2 leading to Pennsylvania, and also running parallel to and between Rutherford Avenue and Broadway, had always been and would always be known as Mains Avenue and not Doctor Street.It was a genuinely clarifying public notice because it gave Southside residents a way to keep their memories alive and please the city legislators as well. They called it Not Doctor Street, and were inclined to call the charity hospital at its northern end No Mercy Hospital since it was 1931, on the day following Mr. Smith's leap from its cupola, before the first colored expectant mother was allowed to give birth inside its wards and not on its steps. The reason for the hospital's generosity to that particular woman was not the fact that she was the only child of this Negro doctor, for during his entire professional life he had never been granted hospital privileges and only two of his patients were ever admitted to Mercy, both white. Besides, the doctor had been dead a long time by 1931. It must have been Mr. Smith's leap from the roof over their heads that made them admit her. In any case, whether or not the little insurance agent's conviction that he could fly contributed to the place of her delivery, it certainly contributed to its time.When the dead doctor's daughter saw Mr. Smith emerge as promptly as he had promised from behind the cupola, his wide blue silk wings curved forward around his chest, she dropped her covered peck basket, spilling red velvet rose petals. The wind blew them about, up, down, and into small mounds of snow. Her half-grown daughters scrambled about trying to catch them, while their mother moaned and held the underside of her stomach. The rose-petal scramble got a lot of attention, but the pregnant lady's moans did not. Everyone knew the girls had spent hour after hour tracing, cutting, and stitching the costly velvet, and that Gerhardt's Department Store would be quick to reject any that were soiled.It was nice and gay there for a while. The men joined in trying to collect the scraps before the snow soaked through them--snatching them from a gust of wind or plucking them delicately from the snow. And the very young children couldn't make up their minds whether to watch the man circled in blue on the roof or the bits of red flashing around on the ground. Their dilemma was solved when a woman suddenly burst into song. The singer, standing at the back of the crowd, was as poorly dressed as the doctor's daughter was well dressed. The latter had on a neat gray coat with the traditional pregnant-woman bow at her navel, a black cloche, and a pair of four-button ladies"galoshes. The singing woman wore a knitted navy cap pulled far down over her forehead. She had wrapped herself up in an old quilt instead of a winter coat. Her head cocked to one side, her eyes fixed on Mr. Robert Smith, she sang in a powerful contralto:O Sugarman done fly awaySugarman done goneSugarman cut across the skySugarman gone home....A few of the half a hundred or so people gathered there nudged each other and sniggered. Others listened as though it were the helpful and defining piano music in a silent movie. They stood this way for some time, none of them crying out to Mr. Smith, all of them preoccupied with one or the other of the minor events about them, until the hospital people came.They had been watching from the windows--at first with mild curiosity, then, as the crowd seemed to swell to the very walls of the hospital, they watched with apprehension. They wondered if one of those things that racial-uplift groups were always organizing was taking place. But when they saw neither placards nor speakers, they ventured outside into the cold: white-coated surgeons, dark-jacketed business and personnel clerks, and three nurses in starched jumpers.The sight of Mr. Smith and his wide blue wings transfixed them for a few seconds, as did the woman's singing and the roses strewn about. Some of them thought briefly that this was probably some form of worship. Philadelphia, where Father Divine reigned, wasn't all that far away. Perhaps the young girls holding baskets of flowers were two of his virgins. But the laughter of a gold-toothed man brought them back to their senses. They stopped daydreaming and swiftly got down to business, giving orders. Their shouts and bustling caused great confusion where before there had been only a few men and some girls playing with pieces of velvet and a woman singing.One of the nurses, hoping to bring some efficiency into the disorder, searched the faces around her until she saw a stout woman who looked as though she might move the earth if she wanted to."You," she said, moving toward the stout woman. "Are these your children?"The stout woman turned her head slowly, her eyebrows lifted at the carelessness of the address. Then, seeing where the voice came from, she lowered her brows and veiled her eyes."Ma'am?""Send one around back to the emergency office. Tell him to tell the guard to get over here quick. That boy there can go. That one." She pointed to a cat-eyed boy about five or six years old.The stout woman slid her eyes down the nurse's finger and looked at the child she was pointing to."Guitar, ma'am.""What?""Guitar."The nurse gazed at the stout woman as though she had spoken Welsh. Then she closed her mouth, looked again at the cat-eyed boy, and lacing her fingers, spoke her next words very slowly to him."Listen. Go around to the back of the hospital to the guard's office. It will say"Emergency Admissions"on the door. A-D-M-I-S-I-O-N-S. But the guard will be there. Tell him to get over here-- on the double. Move now. Move!" She unlaced her fingers and made scooping motions with her hands, the palms pushing against the wintry air.A man in a brown suit came toward her, puffing little white clouds of breath. "Fire truck's on its way. Get back inside. You'll freeze to death."The nurse nodded."You left out a s, ma'am," the boy said. The North was new to him and he had just begun to learn he could speak up to white people. But she'd already gone, rubbing her arms against the cold."Granny, she left out a s.""And a"please."""You reckon he'll jump?""A nutwagon do anything.""Who is he?""Collects insurance. A nutwagon.""Who is that lady singing?""That, baby, is the very last thing in pea-time." But she smiled when she looked at the singing woman, so the cat-eyed boy listened to the musical performance with at least as much interest as he devoted to the man flapping his wings on top of the hospital.The crowd was beginning to be a little nervous now that the law was being called in. They each knew Mr. Smith. He came to their houses twice a month to collect one dollar and sixty-eight cents and write down on a little yellow card both the date and their eighty-four cents a week payment. They were always half a month or so behind, and talked endlessly to him about paying ahead--after they had a preliminary discussion about what he was doing back so soon anyway."You back in here already? Look like I just got rid of you.""I'm tired of seeing your face. Really tired.""I knew it. Soon's I get two dimes back..."ÉPUISÉVOIR PRODUIT12,83 € -

Beloved
Morrison ToniInspiré d'un fait divers survenu en 1856, Beloved exhume l'horreur et la folie d'un passé douloureux. Ancienne esclave, Sethe a tué l'enfant qu'elle chérissait au nom de l'amour et de la liberté, pour qu'elle échappe à un destin de servitude. Quelques années plus tard, le fantôme de Beloved, la petite fille disparue, revient douloureusement hanter sa mère coupable.Loin de tous les clichés, Toni Morrison ranime la mémoire et transcende la douleur des opprimés. Prix Pulitzer en 1988, Beloved est un grand roman violent et bouleversant.Traduit de l'anglais (États-Unis)par Hortense Chabrieret Sylviane RuéÉPUISÉVOIR PRODUIT8,60 €
Du même éditeur
-
MNENOCH
RICE ANNEExtrait I SAW HIM when he came through the front doors. Tall, solidly built dark brown hair and eyes, skin still fairly dark because it had been dark when I'd made him a vampire. Walking a little too fast, but basically passing for a human being. My beloved David.I was on the stairway. The grand stairway, one might say. It was one of those very opulent old hotels, divinely overdone, full of crimson and gold, and rather pleasant. My victim had picked it. I hadn't. My victim was dining with his daughter. And I'd picked up from my victim's mind that this was where he always met his daughter in New York, for the simple reason that St. Patrick's Cathedral was across the street.David saw me at once--a slouching, blond, long-haired youth, bronze face and hands, the usual deep violet sunglasses over my eyes, hair presentably combed for once, body tricked out in a dark-blue, double-breasted Brooks Brothers suit.I saw him smile before he could stop himself. He knew my vanity, and he probably knew that in the early nineties of the twentieth century, Italian fashion had flooded the market with so much shapeless, hangy, bulky, formless attire that one of the most erotic and flattering garments a man could choose was the well-tailored navy-blue Brooks Brothers suit.Besides, a mop of flowing hair and expert tailoring are always a potent combination. Who knows that better than I?I didn't mean to harp on the clothes! To hell with the clothes. It's just I was so proud of myself for being spiffed up and full of gorgeous contradictions--a picture of long locks, the impeccable tailoring, and a regal manner of slumping against the railing and sort of blocking the stairs.He came up to me at once. He smelled like the deep winter outside, where people were slipping in the frozen streets, and snow had turned to filth in the gutters. His face had the subtle preternatural gleam which only I could detect, and love, and properly appreciate, and eventually kiss.We walked together onto the carpeted mezzanine.Momentarily, I hated it that he was two inches taller than me. But I was so glad to see him, so glad to be near him. And it was warm in here, and shadowy and vast, one of the places where people do not stare at others."You've come," I said. "I didn't think you would.""Of course," he scolded, the gracious British accent breaking softly from the young dark face, giving me the usual shock. This was an old man in a young man's body, recently made a vampire, and by me, one of the most powerful of our remaining kind."What did you expect?" he said, tete-a-tete. "Armand told me you were calling me. Maharet told me.""Ah, that answers my first question." I wanted to kiss him, and suddenly I did put out my arms, rather tentatively and politely so that he could get away if he wanted, and when he let me hug him, when he returned the warmth, I felt a happiness I hadn't experienced in months.Perhaps I hadn't experienced it since I had left him, with Louis. We had been in some nameless jungle place, the three of us, when we agreed to part, and that had been a year ago."Your first question?" he asked, peering at me very closely, sizing me up perhaps, doing everything a vampire can do to measure the mood and mind of his maker, because a vampire cannot read his maker's mind, any more than the maker can read the mind of the fledgling.And there we stood divided, laden with preternatural gifts, both fit and rather full of emotion, and unable to communicate except in the simplest and best way, perhaps--with words."My first question," I began to explain, to answer, "was simply going to be: Where have you been, and have you found the others, and did they try to hurt you? All that rot, you know--how I broke the rules when I made you, et cetera.""All that rot," he mocked me, the French accent I still possessed, now couple with something definitely American."What rot.""Come on," I said. "Let's go into the bar there and talk. Obviously no one has done anything to you. I didn't' think they could or they would, or that they'd dare. I wouldn't have let you slip off into the world if I'd thought you were in danger."He smiled, his brown eyes full of gold light for just an instant."Didn't you tell me this twenty-five times, more or less, before we parted company?"We found a small table, cleaving to the wall. The place was half crowded the perfect proportion exactly. What did we look like? A couple of young men on the make for mortal men or women? I don't care."No one has harmed me," he said, "and no one has shown the slightest interest in it."Someone was playing a piano, very tenderly for a hotel bar, I thought. And it was something by Erik Satie. What luck."The tie," he said, leaning forward, white teeth flashing, fangs completely hidden, of course. "This, this big mass of silk around your neck! This is not Brooks Brothers!" He gave a soft teasing laugh. "Look at you, and the wing-tip shoes! My, my. What's going on in your mind? And what is this all about?"The bartender threw a hefty shadow over the small table, and murmured predictable phrases that were lost to me in my excitement and in the noise."Something hot," David said. It didn't surprise me. "You know, rum punch or some such, whatever you can heat up."I nodded and made a little gesture to the indifferent fellow that I would take the same thing.Vampires always ordered hot drinks. They aren't going to drink them; but they can feel the warmth and smell them if they're hot, and that is so good.David looked at me again. Or rather this familiar body with David inside looked at me. Because for me, David would always be the elderly human I'd known and treasured, as well as this magnificent burnished shell of stolen flesh that was slowly being shaped by his expressions and manner and mood.Dear Reader, he switched human bodies before I made him a vampire, worry no more. It has nothing to do with this story."Something's following you again?" he asked. "This is what Armand told me. So did Jesse.""Where did you see them?""Armand?" he asked. "A complete accident. In Paris. He was just walking on the street. He was the first one I saw.""He didn't make any move to hurt you?""Why would he? Why were you calling to me? Who's stalking you? What is all this? --Ce texte fait référence à l'édition Poche .ÉPUISÉVOIR PRODUIT11,40 € -
Memoirs of a geisha
Golden ArthurRésumé : This story is a rare and utterly engaging experience. It tells the extraordinary tale of a geisha - summoning up a quarter century, from 1929 to the post-war years of Japan's dramatic history, and opening a window onto a half-hidden world of eroticism and enchantment, exploitation and degradation.ÉPUISÉVOIR PRODUIT15,98 €





