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DIETER RAMS THE COMPLETE WORKS
KLEMP KLAUS
PHAIDON PRESS
54,95 €
Épuisé
EAN :9781838661533
Dieter Rams is one of the most influential product designers of the twentieth century, whose designs for companies such as Braun and Vitsoe have impacted the lives of millions of people. For more than sixty years he has been defining the look, feel and function of some of the world's best-loved consumer items. But beyond this, Rams's way of seeing and interpreting the things that we surround ourselves with, his ability to identify whether something has purpose or value, is what really sets him apart as a designer. Authored by design historian Klaus Klemp, and made in close collaboration with Rams himself, this book is the first of its kind to present Rams's entire catalogue of works in a way that embodies - both visually and functionally -his inimitable design vision. Organized chronologically, each product is accompanied by a detailed description and specification breakdown, making this the ultimate reference guide - and a true celebration of Rams's seminal contribution to industrial and product design history.
Jolies, douces et fragiles, les princesses: quel ennui! Mais qu'ont-elles donc toutes à vouloir être parfaites? Bijoux brillants, eaux de toilette et robes de bal: aux oubliettes! Zélie ne rêve que d'aventures, de batailles, de dragons, d'armures. Le prince charmant n'a qu'à bien se tenir, car cette princesse est vraiment la pire!
Résumé : Alors que des milliers de personnes se noient en Méditerranée, une femme capitaine décide de prendre la mer avec son équipage. Un récit passionnant et engagé, par la capitaine du Louise-Michel, le bateau de sauvetage de Banksy. "La révolution est une chanson d'amour qui nous invite à danser sur les ruines de l'Ancien Monde". Alors que des milliers de personnes se noient en Méditerranée, cherchant à atteindre l'Europe pour y trouver refuge, une femme capitaine décide de prendre la mer avec son équipage. Elle refuse d'accepter que l'Union européenne ait décidé de laisser les gens mourir en toute connaissance de cause. Mais quand leurs opérations de sauvetage sont sabotées, elle comprend qu'elle va devoir se battre pour sa liberté et affronter un pouvoir politique qui est prêt à trahir ses valeurs. Son seul espoir : la rébellion.
Riquiqui le crapaud, tout gluant et pas très beau, veut devenir un héros. Un vrai, un grand, un costaud ! Le roi des nénuphars en a assez des libellules, il se rêve chevalier, même avec ses pustules. Comme dans les contes de fées, seule une princesse pourrait l'aider et d'un baiser, le transformer, en fier et noble chevalier...
Résumé : In little more than a decade, Jonas Wood has established himself as one of the most talented and original painters of his generation. Exploring a variety of subjects that include friends, family members, sport celebrities, landscapes, domestic interiors, plants, his own work as well as that of other artists, Wood has developed a representational style where overlapping textures and disorienting compressions of space contribute to create images that transmit a universal sense of familiarity, even when they are deeply private. Defined by an awareness of the predominant role of photography in contemporary culture, yet deeply indebted to the history of painting and the possibilities still therein, a meaningful engagement and exploration with the present emerges. Wood's work challenges the notion of visual authenticity through a process of combining elements from different sources to create an image that is uniquely his. His works constitute a reflection of our present time while paying tobute to the great artists that have influenced Wood's practice, from modern masters Henri Matisse and Pablo Picasso, to California cantor David Hockney, and the celebrated duo of ceramists Michael Frimkess and Magdalena Suarez Frimkess In the Interview Mark Grotjahn and the artist discuss their backgrounds and how they were able to turn their passion into a profession while getting acquainted with the dynamics of the art world Helen Molesworth's Survey is a profound and comprehensive analysis of the historical context in which Wood's practice developed, and how the various elements that compose the fabric of his life inform his paintings. Ian Alteveer focuses on Wood's proclivity for representing interiors and how these resonate with the rest of his work and history of art in general. The comprehensive and previously unpublished selection of images in Studio Visit offers a rare insight into the artist's working environment, his process and sources of inspiration. Finally, Artist's Writings include excerpts from conversations with Corrina Peipon, Katy Donoghue and Jeong Yun Hyeong.