3 femmes et un fantôme

In Roddy Doyle's Booker Prize-winning novel Paddy Clarke Ha Ha Ha, an Irish lad named Paddy rampages through the streets of Barrytown with a pack of like-minded hooligans, playing cowboys and Indians, etching their names in wet concrete, and setting fires. Roddy Doyle has captured the sensations and speech patterns of preadolescents with consummate skill, and managed to do so without resorting to sentimentality. Paddy Clarke and his friends are not bad boys; they're just a little bit restless. They're always taking sides, bullying each other, and secretly wishing they didn't have to. All they want is for something--anything--to happen.Throughout the novel, Paddy teeters on the nervous verge of adolescence. In one scene, Paddy tries to make his little brother's hot water bottle explode, but gives up after stomping on it just one time: "I jumped on Sinbad's bottle. Nothing happened. I didn't do it again. Sometimes when nothing happened it was really getting ready to happen." Paddy Clarke senses that his world is about to change forever--and not necessarily for the better. When he realizes that his parents"marriage is falling apart, Paddy stays up all night listening, half-believing that his vigil will ward off further fighting. It doesn't work, but it is sweet and sad that he believes it might. Paddy's logic may be fuzzy, but his heart is in the right place. --Jill Marquis"

Danny Murphy n'a pas revu son frère Jimmy depuis plus de vingt ans. Danny est resté à Dublin. Jimmy vit à Londres. Sur le chemin du pub, celui-là même où ils ont bu leur première bière alors qu'ils étaient bien loin de l'âge légal, Danny se souvient : les jeux d'enfants, les niches aux voisins, les premières filles... mais aussi les premières disputes, la jalousie, la méfiance, puis la séparation. Leurs retrouvailles vont-elles creuser le fossé qui les sépare, ou les deux frères vont-ils enterrer la hache de guerre et se laisser aller à leur vieille affection ? Ont-ils assez grandi pour se connaître eux-mêmes ?

“Roddy Doyle’s unsparing examination of a brutal marriage transcends the boundaries of class and nationhood.”?The Times“Paula Spencer may be Doyle’s most successful literary creation yet, a tour de force of literary ventriloquism that gives the lie to the old writing workshop canard that a man can’t write from the point of view of a woman, let alone in her voice.”?Washington Post

Revue de presse "A superb creation, exploding with cheerful chauvinism and black Celtic humour... You finish the book, hungry for more" (The Times)"While recognising that we have all sat po-faced through novels which other people have assured us are hilarious... all I can say is that The Snapper creased me up" (Guardian)"Not since I first delved into Flann O'Brian have I so consistently laughed out loud while reading a book" (Sunday Tribune)