THE DEATH RAY

The Chunnel has made no difference. The French remain utterly foreign in English eyes, a peculiar and self-absorbed race that can give us cartoon books, call them la bande desinée and pretend they are as high an art form as, say, the novels of Gustave Flaubert. When plain English folk venture even as far as Normandy, they are letting themselves in for culture shock on a grand scale. Gemma is your average girl-about-London. Dumped by her ambitious lover, she rebounds onto a safe bet, gentle furniture restorer Charles Bovery. But Charles comes with an ex-wife and children and Gemma baulks at being the unpaid baby-sitter. When money falls into her lap, Gemma flees London and drags Charles to Normandy, where she spices up her increasingly dull marital life with a bit on the side named Patrick Large. But then she dies, under mysterious circumstances.The English would see this as poetic comeuppance for adultery and emigration, of course, but to Bailleville baker Raymond Joubert, it's a tragedy of epic proportions, as befits Gemma's namesake (OK, near-namesake), Emma Bovary. So, with brilliant novelistic pomposity, Joubert traces Gemma's life through the diaries she left, reading Gallic depth and meaning into every trite occurrence. Posy Simmonds is of course best known for her Posy cartoons in the Guardian, but if you have never believed you could get through an entire book of cartoons, think again. This is a brilliantly funny and beautifully sustained book, that in its very form skilfully illuminates the gaping void between English and French sensibilities. You don't need to know Flaubert to read Simmonds, but after reading this, then Madame Bovary is bound to be back on your wish list of Books You Always Meant to Read. --Alan Stewart

Une petite ville, aux États-Unis. Décor banal, distractions rares, morne quotidien. Deux filles, deux copines à la vie à la mort : Enid et Rebecca. Elles se racontent tout, passent leurs journées ensemble, partagent les mêmes obsessions. Pêle-mêle : les garçons, les derniers trucs à la mode, les programmes de télé idiots, les autres filles qu'elles débinent à longueur de journée. Et puis, aussi, l'envie de partir. De changer de monde, de changer de vie. De se séparer, peut-être. Mais c'est difficile. Difficile de grandir, de renoncer à sa part d'enfance et d'insouciance pour affronter l'âge adulte, cet inconnu. Ghost World est une bande dessinée émouvante et vraie, au graphisme lisible et expressif. Un récit juste, sensible, qui atteste de la capacité de la bd à rendre compte des tourments de l'âme humaine, à la manière des meilleurs romans. Daniel Clowes, issu de la mouvance underground, illustrateur pour le Village Voice et le New Yorker, porte un regard sans complaisance sur la culture et la société américaines. --Gilbert Jacques

Revue de presse "A political and aesthetic work of extraordinary originality, quite unlike any other in the long, often turgid and hopelessly twisted debates that have occupied Palestinians, Israelis, and their respective supporters... With the exception of one or two novelists and poets, no one has ever rendered this terrible state of affairs better than Joe Sacco" (Edward Said)"The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine" (Observer)"Palestine is a unique take on the Isreali/Palestinian conflict. The illustrator/reporter provides a unique perspective: there is an intimacy to Sacco's interviews that cannot be translated into photography and text. His drawings make his subjects relatable to in a way that I think is difficult to achieve with a photograph." (Bleeding Cool)"Palestine is utterly compelling, and as affecting as the work of any war photographer or poet." (Annie Forbes Varsity)